Neues Deutschland- 12/11/2011,

"Susanna, Susanne Ellen Kirchesch, vocally has every luminance one expects from a Susanna, but does not bring the betimes penetrant chambermaid- flippancy on stage. Dresen shows her subtle endangerment, the pain she has to withstand the conte and to make the best out of her fortune with Figaro."

FAZ- 07/11/2011,

"touching- Susanne Ellen Kirchesch as Susanna"

Deutschlandradio Kultur- 05.11.2011,

"The singing was on permanent high level. Susanne Ellen Kirchesch fascinated us with a broad pallet of expression."

LUXEMBURGER WORT- April 5,2011,

“Susanne Ellen Kirchesch not only has an exceptionally beautiful voice, but also knows about what she singing und is fully involved with her emotion and singing technique.”
“There is a certain consolation in this ‘Heartbreak’ … Susanne Ellen Kirchesch, whose very sensibly refined elocution one can only admire …”

CELLESCHE ZEITUNG- March 15, 2011,

“carefully balanced sound relations and suppleness in her articulation, buoyant aplomb and never flaunted nor boasted art”
“In Handel’s Nine German Arias she contrived to conjure from her vast vocal potential, bouncing (musical-rethorical) sentimental portrayals in finest shades and she was able to darken her wonderfully brilliant soprano – when needed – in such a way that unity of words and melodies always stayed intact.”