Dorstener Zeitung, 23/01/2007
recital 21.1.2007
"impressive recital”
From prominent singers one knows how difficult it is to change from opera to Lied. Nevertheless this worked excellently.
...here also Heilmann showed a creative power and sensitivity that can almost not be heard more impressive.
...the Brahms- Regenlied was extraordinary in its progression...
...the famous "Surabaya- Johnny" convinced through the contrasts of never- not even from famous interpreters- heard tenderness and desperate fury...
...in Hollaender´s "Ich bin von Kopf bis Fuß” the soprano did not copy Marlene Dietrich. One heard that songs completely different, enthrallingly new and better. One of the evening´s discoveries.
...alway in correspondance of content and form...
(translation)
DER TAGESSPIEGEL 18.12.06 ,
...the young Susanne Ellen Kirchesch, repeated prize- winner, performed her part with beautiful lucidity.
(translation)
MÜNSTERSCHE ZEITUNG, 3.11.06, Axel Engels,
baroque- cantatas with "Les plaisirs"
With intensity and strong stage presence Ellen Kirchesch created an intensive contact with the audiance, showed with outstanding singing culture each facet of the musical treasures.
(translation)
Emsdettener Volkszeitung, 2.11.06,
baroque- cantatas with "Les plaisirs"
Perfekt singing- culture and scenic representation came togehter as a whole.
(translation)
DIE GLOCKE 31.10.06,
... Bravura of the soprano who has control over her voice even on the highest notes...
(translation)
