NORDKURIER november 2008, Freischütz- Ännchen,

Susanne Ellen Kirchesch as Ännchen is the only one who likewise sings, acts and speaks ravishingly.

WESTFÄLISCHE NACHRICHTEN, 10/11/2008- Fauré, Requiem,

Namable soloists enoble the evening. ... Susanne Ellen Kirchesch beguiles with her instrumentally controlled soprano. Accordingly her "Pie Jesu" is subtle and tasteful.

BLICKPUNKT MUSICAL, april 2008- Cabaret, Sally Bowles,

The discovery of the evenig is Susanne Kirchesch as Sally Bowles. Whoever had been doubting that an opera singer who had to be brilliant at singing a belcanto Adina in Donizetti´s "L´elisir d´amore" the evenings before, would be able to switch to the "Cabaret"- style, very quickly got the clear answer: She can. She switches artfully between different styles, one time sings with a childlike soprano ("Mami") , the next time with a tantalizing chest voice ("Mein Herr"). Vocal technique and expression are always right, a fact that is all the more astounding as the choreography demands everything from doing the splits to singing with a head tilt.
As an actor she creates her own, very vulnerable Sally Bowles with disarming intensity.

AZ, 16/02/2008, rectítal,

"Outstanding duo at concert- theatre"

ANZEIGENKURIER, october 2007- L´elisir d´amore, Adina,

"Especially Susanne Ellen Kirchesch convinced with easyness and the clear beauty of her voice." (translation)